Twenty-six years ago today, my father died.

It feels odd acknowledging this anniversary today, because time has worn away at the emotional pain and shock I experienced the night my father died. On the tenth anniversary of Dad's passing, my family took out an In Memoriam ad in the New York Times, which Mom appreciated. Today, Mom is also gone, and in a way posting here is much more of an acknowledgement of this momentous anniversary than taking out an ad in a newspaper.

I tend to think Dad was a fascinating person. He was born in December 1929, in the wake of the stock market collapse, and so grew up during the Depression, which affected his outlook for the rest of his life. When he was almost ten years old, he attended the 1939 New York City World's Fair, and fell in love with the visions of the future it presented. He graduated as valedictorian of DeWitt Clinton High School (which was in Manhattan at the time, I think) and started college at Columbia, where he was editor of the college newspaper, The Spectator.

But while he was in his teenage years and World War II was raging, news of the Holocaust came to the United States. My grandfather was a rabbi, and my Dad grew up in a religious household; but the Holocaust caused him to lose his faith in God and to break away from religion.

On the other hand, he felt a strong connection to the Jewish people. In the 1940s he ran guns to the nascent Jewish state of Israel, and then he dropped out of college, never finishing, in order to smuggle himself into Israel and fight in the 1948 War for Independence.

Dad was dedicated to journalism and newspapers. He used to like to quote Thomas Jefferson, who once said that he would rather have newspapers without government than government without newspapers. Dad spent his life working at a whole variety of newspapers in New York City. In the midst of all this, he married his first wife, Evelyn, and had two sons, my half-brothers David and Daniel. Eventually, Dad and Evelyn divorced. He met my mother Eleanor, married her, and had three more sons: Jonathan, Michael, and Joshua.

By the time I knew him, Dad had been working at the New York Daily News for many years. In 1990, the Daily News unions were locked out and so once again went on strike against the owner of the paper, the Chicago Tribune Company. Dad was in the Newspaper Guild union office twenty years ago when he collapsed of a heart attack and was pronounced dead at St. Claire's Hospital. My brothers and I were in the Boston area at the time -- Jon in medical school, Josh and me in college. Jon and Josh were on a train home already because my father's mother had just died the day before, and they were going to NYC to be with my Dad for her funeral. We had no way of knowing that on Sunday, November 4, we would attend one funeral after another, with print and TV reporters gathered with our friends and family, the media there to report on my father's death as another tragic story.

My father was a strong believer in justice, in supporting the powerless against the powerful. Two months before he died, I marched with him in the NYC Labor Day Parade. The Greyhound bus drivers were on strike, and Dad – who always kept an eye on family finances – donated money to their fund without blinking. After he died, I found among his personal papers articles he had clipped about a Mohawk tribe in upstate New York struggling to get a piece of land back from the federal government. Dad always shared stories like that with us, to remind us that the fight for justice was a neverending battle.

Dad had been a reader of science fiction and comic books when he was growing up; by the time I knew him, he mostly read mysteries. But he inculcated in me a love of science fiction, and my one regret about my own writing is that he never got to read it. But his spirit infuses every word I write.

I'm delighted to announce that in the July 2016 issue of Apex Magazine, released today, I have an interview with Andrew Fazekas, The Night Sky Guy, about his new book "Star Trek The Official Guide to Our Universe: The True Science Behind the Starship Voyages." If you follow the first link above you can find out the rest of the contents and buy the issue for the incredibly low price of only $2.99.

(And you want this issue. I've already read some of the stories in here and they're most excellent.)
mabfan: (book-cover)
See that link below? That's a link to the ebook of "I Remember the Future" at drivethrufriction.com. Right now (Friday, May 13) the ebook is $4.99, but tomorrow starting around 11 am EDT the ebook will be their Deal of the Day at $2.50!

So...mark that link now, and grab it within 24 hours of the deal going live, in case you don't have it yet.

In observance of Yom HaShoah, I link to my short story "Kaddish for the Last Survivor." (Continued thanks to Apex Publications for continuing to keep it available for anyone to read on their site.)
Folks,

With only about $850 and 2 hours to go, the Pangaea II project needs you! Anyone who buys my second Tukcerization offer will get TWO names for the price of one!

Follow this link to back the project: Pangaea II.

Want to read what I said about this project when the Kickstarter started? See my blog post: Pangaea II - A New Kickstarter.
mabfan: (book-cover)
Take Me To Your Reader #36: I Remember the Future (Interview With Michael A. Burstein)

So, if you'd like to spend an hour and a half listening to me talk about the KAS Creations Film & Media production of "I Remember the Future" here's your chance! The folks at the podcast were really cool, and I had a blast doing the interview. Here's some of what I talked about, as noted on their website:


• Michael’s history as a writer and a science fiction fan
• The history of the I Remember the Future collection of Michael’s award-nominated fiction (featuring, naturally “I Remember the Future”)
• How to best preserve the legacy of the Big Three (Asimov, Clarke, Heinlein)
• High Energy Physics! (yes, we’re nerds)
• The vagaries of forgetting one’s had a story optioned for a film.

(That last one is actually amusing. I had forgotten that I had licensed the film to KAS Creations until [livejournal.com profile] 530nm330hz called me up and asked if I had granted a license to an Australian filmmaker. At first I said no, and then said, "Wait a minute! Yes!" And I'm very glad I did grant the license.)

If you do listen, enjoy.
Last year, I was part of an anthology called Pangaea edited by Michael Jan Friedman. As I recounted in the blog post Pangaea – The Anthology, Michael had come up with the idea of an alternate Earth in which the supercontinent had never broken apart. He invited a bunch of writers to contribute stories to this new shared world, and we were delighted to do so.

The anthology was so successful that Michael is doing it again. This time, there's a few new voices in the book, and we're working to share our characters with each other as well as the setting. Also, there's some new developments in the world of Pangaea, as can be inferred from the subtitle: "The Rise of Dominjaron." Who or what is Dominjaron? Well, you'll find out in the book...

Personally, I'm planning to continue the adventures of Betsi and Devora from "The World Together" and I'm excited to have them interact with the characters created by my fellow writers. And I'll be writing two new characters, both of whom will be named by people who support the project, as I've offered two new Tuckerizations. Better move fast, though, as the project went live over the weekend and the first of my two Tuckerizations has already been claimed!

The Kickstarter for Pangaea II can be foiund by clicking on the title. You can go there to get a full description of the book and the project, but here's the list of authors who have agreed to take part: Kirsten Beyer. Ilsa J. Bick. Michael A. Burstein. Peter David. Kevin Dilmore. Michael Jan Friedman. Robert Greenberger. Glenn Hauman. Paul Kupperberg. Ron Marz. Kelly Meding. Aaron Rosenberg. Lawrence M. Schoen. Geoffrey Thorne. Marie Vibbert.

Join us as we explore another world, a world that might have been.
Ladies and gentlemen:

It is my pleasure to inform you all that the KAS Creations Film & Media adaptation of my short story "I Remember the Future" is now available to view on Vimeo's Video on Demand. Click on the title to be taken to the film.

The film is eligible to be nominated for the 2016 Hugo Award for Best Dramatic Presentation, Short Form, and (if you're a member of Science Fiction and Fantasy Writers of America) for the 2016 Bradbury Award. (Nominations have already opened for the Bradbury.)

The film is NOT free to view. You can rent it for $2.99 and watch it within 24 hours, or you can pay $4.99 and purchase the film, which would allow you to download it and/or stream it anytime.

I'd like to thank the filmmaker, Klayton Aaron Stainer, for making the film available in this way, thus ensuring its eligibility for the Bradbury Award and a better chance at a Hugo nomination.
Twenty-five years ago today, my father died.

It feels odd acknowledging this anniversary today, because time has worn away at the emotional pain and shock I experienced the night my father died. Fifteen years ago, on the tenth anniversary of Dad's passing, my family took out an In Memoriam ad in the New York Times, which Mom appreciated. Today, Mom is also gone, and in a way posting here is much more of an acknowledgement of this momentous anniversary than taking out an ad in a newspaper.

I tend to think Dad was a fascinating person. He was born in December 1929, in the wake of the stock market collapse, and so grew up during the Depression, which affected his outlook for the rest of his life. When he was almost ten years old, he attended the 1939 New York City World's Fair, and fell in love with the visions of the future it presented. He graduated as valedictorian of DeWitt Clinton High School (which was in Manhattan at the time, I think) and started college at Columbia, where he was editor of the college newspaper, The Spectator.

But while he was in his teenage years and World War II was raging, news of the Holocaust came to the United States. My grandfather was a rabbi, and my Dad grew up in a religious household; but the Holocaust caused him to lose his faith in God and to break away from religion.

On the other hand, he felt a strong connection to the Jewish people. In the 1940s he ran guns to the nascent Jewish state of Israel, and then he dropped out of college, never finishing, in order to smuggle himself into Israel and fight in the 1948 War for Independence.

Dad was dedicated to journalism and newspapers. He used to like to quote Thomas Jefferson, who once said that he would rather have newspapers without government than government without newspapers. Dad spent his life working at a whole variety of newspapers in New York City. In the midst of all this, he married his first wife, Evelyn, and had two sons, my half-brothers David and Daniel. Eventually, Dad and Evelyn divorced. He met my mother Eleanor, married her, and had three more sons: Jonathan, Michael, and Joshua.

By the time I knew him, Dad had been working at the New York Daily News for many years. In 1990, the Daily News unions were locked out and so once again went on strike against the owner of the paper, the Chicago Tribune Company. Dad was in the Newspaper Guild union office twenty years ago when he collapsed of a heart attack and was pronounced dead at St. Claire's Hospital. My brothers and I were in the Boston area at the time -- Jon in medical school, Josh and me in college. Jon and Josh were on a train home already because my father's mother had just died the day before, and they were going to NYC to be with my Dad for her funeral. We had no way of knowing that on Sunday, November 4, we would attend one funeral after another, with print and TV reporters gathered with our friends and family, the media there to report on my father's death as another tragic story.

My father was a strong believer in justice, in supporting the powerless against the powerful. Two months before he died, I marched with him in the NYC Labor Day Parade. The Greyhound bus drivers were on strike, and Dad – who always kept an eye on family finances – donated money to their fund without blinking. After he died, I found among his personal papers articles he had clipped about a Mohawk tribe in upstate New York struggling to get a piece of land back from the federal government. Dad always shared stories like that with us, to remind us that the fight for justice was a neverending battle.

Dad had been a reader of science fiction and comic books when he was growing up; by the time I knew him, he mostly read mysteries. But he inculcated in me a love of science fiction, and my one regret about my own writing is that he never got to read it. But his spirit infuses every word I write.

Today, over at the Pangaea Kickstarter, Michael Jan Friedman puts the spotlight on me:




Michael A. Burstein has spent much of the last several weeks digging his family out from blizzard after blizzard in Brookline, Massachusetts. However, he promises to emerge from winter’s frigid grasp in time to make his contribution to our Pangaea anthology.

For our readers, that’s a good thing.

Michael is one of the most compelling voices in science fiction. In 1997, he won the Campbell Award for Best New Writer. Since then, he has earned four Nebula nominations and no less than ten Hugo nominations for his short fiction. A short film based on Michael’s story I Remember The Future recently took top honors at an independent film festival…


And although we're halfway to our goal, my two Tuckerizations are still up for grabs! If you have $100 to pledge, I will name one of my story's characters afer you (as best as I can, given that this is an alternate world and our names will not be spelled the same way).

What's Pangaea about? Here's what I said two weeks ago.
A few days ago, a Kickstarter project launched that I'm proud to be a part of. Author and editor Michael Jan Friedman came up with the idea of an alternate version of Earth in which the Pangaea supercontinent never broke up, and invited a bunch of writers to contribute stories to this world. I found myself intrigued by the notion and signed up immediately.

I'm delighted to be a part of this anthology. I'm in the company of many worthy writers, including Adam-Troy Castro, Russ Colchamiro, Peter David, Michael Jan Friedman, Robert Greenberger, Glenn Hauman, Paul Kupperberg, Kelly Meding, Aaron Rosenberg, Lawrence M. Schoen, Geoffrey Thorne, Dayton Ward, and Kevin Dilmore.

Allow me to give you more details about the project. First let me quote directly from the Pangaea webpage and then I'll tell you a little bit about my own story further on - and the pledge rewards I've personally offered.

First the description:





At least four times in Earth’s history, the continents have come sliding together. Over millions of years, separate and distinct landmasses have crawled across the planet's surface on immense tectonic plates to form a single mass--a super-continent. Geologists have dubbed the most recent such formation Pangaea.

Of course, Pangaea broke up a long time ago, and because it did, mankind developed in drastically different climes and circumstances. But what if we twenty-first century types were living in one of the super-continental periods--those characterized by “lid tectonics” rather than “plate tectonics?” What would it be like if all of humanity was confined to a single landmass...and had been so confined for all of our recorded history?

That's the ever-so-tantalizing axis on which our Pangaea anthology turns.

It's an exciting and original idea, one that deserves the best world-building talent available. So to explore this world on your behalf, we've harnessed the word-smithing abilities of some of science fiction's most inventive writers.





Now, as to my story.

I can't give away too much, but I'm writing a story with the current working title "Beliefs and Challenges." It's actually a love story about two teenagers in an agrarian part of the world, and how world events affect their relationship and their religious beliefs, and finally leads one of the two to make a major, life-altering decision. As this is a shared-world anthology, my hope is that the other writers will decide to bring my characters into their own stories, like the writers who contributed to the Thieves' World stories or the Wild Card stories.

There are many levels at which you can pledge to support this project. For only $8 you can get the ebook. For $25 you can get a signed trade paperback as well. Or if you have $100 to contribute, you can be Tuckerized in my story, meaning that I will name one of my story's characters after you (as best as I can, given that this is an alternate world and our names will not be spelled the same way).

So please follow the link, take a look, and if you're so inclined, make a pledge to support Pangaea.

Thank you for reading.
mabfan: (book-cover)
Since a few people have asked and since there's room for confusion:

The KAS Creations film of "I Remember the Future" is in fact eligible to be nominated for the Hugo Award this year in the Best Dramatic Presentation, Short Form category. That is because the film festival showings that began in 2014 started the clock, and so it can be nominated in the Hugos for 2015.

Oddly, though, Science Fiction and Fantasy Writers of America has different rules for the Bradbury Award. They have ruled that it is not eligible for nomination until it gets a wider release. So if you're a member of SFWA, don't bother considering it for the Bradbury, but don't let that ruling affect how you fill out your Hugo ballot.

If you are a member of last year's, this year's, or next year's Worldcon, you are eligible to fill out a nominating ballot for the Hugos. As it so happens, tomorrow is the deadline to join this year's Worldcon in time to nominate for the Hugos, although the nominating deadline is in March. If you want to join Worldcon, visit https://sasquan.swoc.us/sasquan/reg.php. You can join online; current cost for a Supporting Membership is US$40. (It is likely that besides all Worldcon publications, this year's members will receive a packet of Hugo-nominated ebooks and other works once the ballot is set, well worth the cost of the membership.)

If you want to know more about the film "I Remember the Future," visit http://irtf.kascreations.com.au.
mabfan: (book-cover)
To begin with, consider this an official notification that I am done writing and providing stories for the GISHWHES 2014 scavenger hunt. I know the hunt is still going on, but I've been up late many nights this week writing stories, and I need to reconnect with my family. :-)

In the end, I provided stories to 63 teams. In addition, I published one story that the team decided not to use ("Ashley and the Moon") and ended up with one other story for which the team that requested it never got back to me. (Actually, a few teams requested stories and then told my assistant that they managed to secure a story from another writer; I wished them well, rewrote those stories, and provided them to other teams.) So, 65 flash stories written in the space of a week, 63 being used for GISHWHES. Not bad.

I am delighted by how many of these stories I managed to churn out and I am frankly hoping that I provided more stories than any other writer. Will someone let me know if I set that record once the hunt is over?

And now for the thank-yous...

My first thank-you goes to my sister-in-law Rachel, who is very involved with GISHWHES and has done this before. I provided her with the first story I wrote for this madness, and she generously gave me permission to provide stories for other teams, even though that would make it harder for her team to win. So, thank you Rachel, for all that.

My second thank-you goes to all the teams who were willing to buy my story collection I Remember the Future as a condition of having me write you a story. When I saw that so many teams needed stories and weren't going to get them from Neil Gaiman, I realized that this gave me an opportunity to expose more people to my work. Some writers mentioned online that they were approached by people in a rude way; I am very pleased to say that not a single person who contacted me was rude about my own request, or complained about it. I'm hoping that those of you who bought the book will actually enjoy the stories contained within; and that fact is that every single story in that book save one was either a Hugo nominee, a Nebula nominee, or both. So at least one of those stories has to have been worth your $5. So thanks to all of you for your own random act of kindness to me. I hope you all win.

Finally, thanks to Annie Houston and especially Misha Collins. I must admit that I do not watch Supernatural, although it is exactly the sort of show I would watch. My wife and I did watch the first season, but then had to give it up for other things. (See The Brookline Parent for an example of what occupies our time.) Making item #78 one that required the teams to find a previously published science-fiction writer was a stroke of genius on your part. I hope you'll do something similar next year. I stand ready to serve.
mabfan: (book-cover)
(ETA on Friday morning: I have a handful more stories written but unclaimed. First come, first serve. Deadline Friday 3 pm EDT USA time. The stories were inspired by the team names of the teams that originally requested them, but they are NOT using those stories and indeed have never seen them.)

Over the weekend, I found out that the current GISHWHES list includes the following as item #78:

"Get a previously published Sci-Fi author to write an original story (140 words max) about Misha, the Queen of England and an Elopus."

I found this out because my sister-in-law participates in GISHWHES, as do a few friends and acquaintances. I posted on Facebook about helping these people out, which I was more than happy to do.

I've since discovered that many participants are apparently bothering famous writers they do not know, asking them to write a story for them. Needless to say, that's not the best way to do this. Many writers are happy to do favors for friends, but they don't want to be bombarded by random requests from folks they do not know.

I, on the other hand, will be happy to write a story for you if I don't know you, on one condition. I'd like you to do a random act of kindness for my publisher, Apex Publications.

First, email my assistant Julia at julia@mabfan.com and tell her you would like a story from me. Include your own name and the name of your team, and an emaill address to which I can send the story.

She will email you back to confirm that I have the time to write the story for you.

Then click on this link: "I Remember the Future: The Award-Nominated Stories of Michael A. Burstein" and have one member of your team purchase a copy of my 2008 collection I Remember the Future directly from the publisher (NOT from Amazon; use the "Add to Cart" button). It can be the trade paperback or the ebook, but I'm guessing most of you will opt for the ebook, as it's only $4.99.

Send a copy of your receipt to my assistant at julia@mabfan.com. Once we see that you have bought the collection, I will write the story and she will email it to you.

One caveat: DO NOT PURCHASE THE BOOK UNTIL YOU HAVE HEARD FROM JULIA THAT I WILL HAVE TIME TO WRITE YOUR STORY. If I get too many requests, I won't have time to fulfill them all.

Good luck with GISHWHES, and enjoy my stories.

Edited to add: A few people have sent receipts from Amazon. The purchase needs to be made directly from the publisher, Apex Publications. Please use the link above. Thank you.
mabfan: (book-cover)
This Sunday marks the US premiere of the KAS Creations short film based on my story "I Remember the Future."

As you can see from the Worldfest Houston schedule, the film will be shown twice, at 1 pm as part of the SCI-FI SHORTS MATINEE SHOW #7 and at 3 pm as part of the WORLD SHORTS MATINEE SHOW #10. From the schedule, you can click on the link to purchase tickets.

If you happen to be in Houston, I hope you'll check it out.

And as always, to learn more about the book, check out the Burstein Books website, and to read the story, check it out on the Apex Blog.


#SFWApro
Today I received welcome news that two of my stories will be reprinted.

First of all, I am delighted to note that my short story "Cosmic Corkscrew," a Hugo-nominated story first published in Analog, will be reprinted in the April 2014 issue of Amazing Stories, the special 88th anniversary edition of the magazine.

Amazing Stories 88th Anniversary Cover

Although I have appeared on the Amazing Stories blog, this will be my first piece of fiction to appear in the magazine. I am delighted that editor Steve Davidson chose my story as one of those to be reprinted in the magazine.

The story has a nice connection to Amazing Stories, by the way. It is about a time traveler who visits Isaac Asimov as Asimov is working on his very first piece of fiction. Although that story of Asimov's was never published, his first published story, "Marooned Off Vesta," appeared in the March 1939 issue of Amazing Stories, seventy-five years ago this month.

Secondly, my story "The Cold Calculations," a riff on "The Cold Equations" that appeared in the Spring 2001 issue of Absolute Magnitude, will be reprinted in one of the new Fantastic Stories anthologies that are being published in conjunction with the launch of Fantastic Stories webzine. While I don't have a picture of the cover, going to the link will take you to a previous Fantastic anthology and eventually to the book my story will be in. My thanks to editor Warren Lapine for his interest in reprinting this story.

#SFWApro
I don't think I remembered to note this here, so...

The film for "I Remember the Future" now has a website.

This also means that yes, I now have an IMDB page. (Sadly, it doesn't include my work as an extra in "The Front," "The Goodbye Girl," or "Radio Days.")

Also, I'm delighted to announce that the film will have its US premiere at the 47th annual Worldfest-Houston film festival in April 2014.

#SFWApro
First of all, I'd like to thank the many, many of you who offered congratulations to me on the "I Remember the Future" film. To tell the truth, I did very little except grant permission to KAS Creations to make the film, and like you, I too am looking forward to seeing the final product.

As I mentioned before, it is technically a student film, even though I think we'd all agree it's professionally done. The film should be debuting at a film festival in the United States sometime this year, and we are beginning to explore the possibility of screening it at other festivals and conventions. I will try to keep you all posted here, but for faster information, I'd strongly suggest "liking" the KAS Creations page if you have a Facebook account.

Finally, a few of you have asked about reading the original story. I have been in touch with Apex Publications, and they are planning to put it up on their website again for folks to read for free. (Between you and me, I'm hoping it'll prompt a few more sales of the book, which is available quite easily and inexpensively as an ebook direct from the publisher and from the usual places.) When the link is available, I will post it.

Thank you all again.

#SFWApro
Every now and then, someone will get in touch with me and ask about the film rights for one of my stories. About a year ago, an Australian student filmmaker named Klayton Stainer inquired about making a short student film of my story "I Remember the Future." (There is also a German student filmmaker who has been working on a version as well.) Mr. Stainer and I came to an agreement, and the resulting trailer has just been posted.

I Remember the Future - Official Trailer

If you know the story, you can see how well Mr. Stainer has brought it to life.

If you don't know the story, well, it's still in print in the book collection of the same name. It's even an ebook, so you can download it immediately and start reading.

As for me, I'm looking forward to seeing what Klayton Stainer does in his own future. This is a filmmaker to watch out for.

#SFWApro
Burstein named President of SASS

A press release from Lou Antonelli of the Society for the Advancement of Speculative Storytelling:

Distinguished science fiction author Michael A. Burstein has taken office as the first permanent president of the Society for the Advancement of Speculative Storytelling, Inc. (SASS), as of Jan. 1, 2014.

SASS was incorporated as a non-profit group in the State of Texas on July 30, 2012. It is dedicated to encouraging and mentoring aspiring and new writers of speculative fiction. In so doing, its activities shall include, but not be limited to, keeping its members informed of issues within the field, providing avenues of constructive critique and collegial discussion for its members, and encouraging interest and appreciation for all aspects of speculative fiction in multiple media.

SASS expressly disavows any socio-political goals while asserting the right of its members to discuss and explore any and subjects in speculative fiction writing. Members are expected to be respectful of each other at all times.
Burstein leads a nine-member Board of Directors, including Vice-President Brad Torgersen, Secretary Lou Antonelli, Treasurer Shedrick Pittman-Hassett, and members at large Bruce Bethke, Dario Ciriello, Park Cooper, Liz Burton and Rie Sheridan Rose.

The group’s web page is:
http://www.sasswritersgroup.blogspot.com/

Its Facebook page is:
https://www.facebook.com/SocietyForTheAdvancementOfSpeculativeStorytelling

#
Information on the members of the SASS Board of Directors follows:

President – Michael A. Burstein, Brookline, Massachusetts
Michael A. Burstein is a multiple Hugo and Nebula nominee, a former Secretary of the Science Fiction Writers of America (SFWA), and a former Vice-President of the New England Science Fiction Association (NESFA) . His first published story, “TeleAbsence,” appeared in the July 1995 issue of Analog, and was nominated for the Hugo Award. Burstein won the John W. Campbell Award for Best New Writer at the 1997 World Science Fiction Convention.

Vice President – Brad Torgersen, Sunset, Utah
Brad R. Torgersen was a winner in the 2009 Writers of the Future contest, and has been published in Analog Science Fiction and Fact and InterGalactic Medicine Show. His 2010 novelette “Outbound” won the Analog reader’s poll, and his 2011 novelette “Ray of Light” was nominated for both the Nebula Award and the Hugo Award. He was nominee for the John W. Campbell Award for Best New Writer in 2012.

Secretary – Lou Antonelli, Mount Pleasant, Texas
Louis S. Antonelli’s first short story, “A Rocket for the Republic”, was the last story bought by Gardner Dozois before he retired after 19 years as editor of Asimov’s Science Fiction. He has published 81 short stories since 2003 in magazines in the U.S., U.K., Canada, Australia, and India. His time storm story, “Great White Ship”, published by Daily Science Fiction in 2012, was a finalist for the Sidewise Award in alternate history.

Treasurer – Shedrick Pittman-Hassett, Denton, Texas
Shedrick Pittman-Hassett is a professional librarian and has had several pieces published in professional journals. An aspiring speculative fiction writer, he has received honorable mentions in a number of writing competitions, including Writers of the Future. He is also an avid gamer and has had two pieces published in the award-winning Knights of the Dinner Table magazine.

Board members-at-large:
Bruce Bethke – Oakdale, Minnesota: Publisher of Stupefying Stories
Liz Burton – Austin, Texas: Executive Editor of Zumaya Publications
Dario Ciriello – San Francisco, California: Editor and Publisher, Panverse Publishing
Park Cooper – Austin, Texas: Writer of prose and graphic novels, co-owner of Wicker Man Studios
Rie Sheridan Rose — Austin, Texas: Small press author and lyricist

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