![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
By now, most people reading this are aware that the SCI FICTION webpage is coming to an end. Over the weekend, they posted a message on their front page announcing that they would discontinue SCI FICTION by the end of the year. They also posted a farewell message from Ellen Datlow.
A lot of people have expressed their disappointment, frustration, and outrage on the Internet. The fact that SCI FICTION, as far as I can see, has never been a money-making operation, but simply a loss leader to bring people to the Science Fiction Channel's website, seems to pass people by. They look at the high quality of fiction that it has published, and the awards that it has won, and seem to feel that such things should be enough to keep the webpage going.
I wish it were, but it's not. The unfortunate fact is that a short fiction market, one that actually pays money for the right to publish short stories, has to get that money from somewhere. Magazines are usually supported by advertising first, followed by subscriptions second. And if you look at the business model behind the SCI FICTION webpage, you'll see that the only advertiser it has is its owner, the Sci Fi Channel, and that access to the stories was always free, meaning no money from subscriptions.
We may decry the short-sightedness of the business person behind this decision, but on the flip side, I'd like to thank the Sci Fi Channel for giving us five years of excellent prose on their webpage. I'd also encourage the people who are writing to them and posting on their site asking for SCI FICTION to continue to indicate a willingness to pay for access to the site.
That's right. If you feel strongly about the existence of SCI FICTION, you should be willing to show your support in some way other than simply enjoying the stories. Because if those of us who love short fiction don't show our support financially, one day there won't be places for us to read short fiction anymore.
***
Let me explain.
In the days of the pulps, before television had become such a pervasive medium, the world abounded with markets for short fiction. Some of them even paid enough for writers to live on. But over the course of the twentieth century, the markets dwindled, as fewer people turned to short fiction as a place to spend their entertainment dollars. New magazines would rise up, only to fold just a few months later. In fact, we've just witnessed this phenomenon again, with the umpteenth revival and collapse of Amazing Stories.
(I'm reminded of a old joke that has many variations. You know how to make a small fortune out of publishing short stories? Start with a large fortune.)
Today, who publishes short science fiction? As far as I can tell, there are five places it can be found:
1. The professional print magazines (Analog, Asimov's , F&SF, and a few others).
2. The semi-professional print magazines (such as Absolute Magnitude and Artemis).
3. Professionally published anthologies.
4. Webzines that pay a professional rate, such as Strange Horizons.
5. Webzines that by necessity don't pay a professional rate, such as Reflection's Edge.
(I'm not going to count webpages where people can post their stories for free, because I'm looking here at paying markets.)
Of these four, print magazines have existed for the longest. The main reason, of course, is historical. But they manage to exist today primarily for financial reasons; these magazines are businesses and make money for their owners. Consequently, they are also able to support a staff to put the magazine out.
The semipro magazines also support a staff, but usually a much smaller one, which sometimes leads to erratic publication. But they remain a money-making venture, or else they fade away.
Anthologies also make some amount of money for the people involved; otherwise they wouldn't be published. But for obvious reasons, they're not as regular as the magazines.
As for the webzines, I have yet to hear of a webzine that makes enough money to pay its editor and staff a living wage. (If anyone out there knows of one, please let me know; I'd love to be proven wrong on this.) But the fact is that even zines like Strange Horizons are labors of love, existing because the people running them want to see them out there and are willing to dip into their own pockets to pay writers a professional rate for stories.
The professional print magazines, on the other hand -- as long as they make some sort of profit, the owners will generally keep them around.
And this is the key point. Publishing short science fiction cannot remain a labor of love forever. People who are being paid a (we hope) decent salary to put together a magazine treat it as a job, because it is. They can't go to their readership and say that they had a bad month, and the next issue will be out as soon as they can manage it. Editors who did that would soon find themselves out of a job. (Maybe one day, the editors behind the webzines will be able to live off of their editing talent, and erratic publication schedules will be a thing of the past. But, sadly, I don't see this happening anytime soon.)
In the end, if you really enjoy reading short science fiction and want to see it continue, you ought to subscribe to the magazines that publish it: Analog, Asimov's, F&SF. If you find yourself visiting a webzine regularly, you ought to click the donations button at least once a year, and give them what you would pay for a year's worth of stories.
And this goes for aspiring writers as well as readers. Because if you harbor a hope of one day appearing in those pages, well, the only way those pages are going to exist is if people keep supporting them financially so they stick around.
A lot of people have expressed their disappointment, frustration, and outrage on the Internet. The fact that SCI FICTION, as far as I can see, has never been a money-making operation, but simply a loss leader to bring people to the Science Fiction Channel's website, seems to pass people by. They look at the high quality of fiction that it has published, and the awards that it has won, and seem to feel that such things should be enough to keep the webpage going.
I wish it were, but it's not. The unfortunate fact is that a short fiction market, one that actually pays money for the right to publish short stories, has to get that money from somewhere. Magazines are usually supported by advertising first, followed by subscriptions second. And if you look at the business model behind the SCI FICTION webpage, you'll see that the only advertiser it has is its owner, the Sci Fi Channel, and that access to the stories was always free, meaning no money from subscriptions.
We may decry the short-sightedness of the business person behind this decision, but on the flip side, I'd like to thank the Sci Fi Channel for giving us five years of excellent prose on their webpage. I'd also encourage the people who are writing to them and posting on their site asking for SCI FICTION to continue to indicate a willingness to pay for access to the site.
That's right. If you feel strongly about the existence of SCI FICTION, you should be willing to show your support in some way other than simply enjoying the stories. Because if those of us who love short fiction don't show our support financially, one day there won't be places for us to read short fiction anymore.
***
Let me explain.
In the days of the pulps, before television had become such a pervasive medium, the world abounded with markets for short fiction. Some of them even paid enough for writers to live on. But over the course of the twentieth century, the markets dwindled, as fewer people turned to short fiction as a place to spend their entertainment dollars. New magazines would rise up, only to fold just a few months later. In fact, we've just witnessed this phenomenon again, with the umpteenth revival and collapse of Amazing Stories.
(I'm reminded of a old joke that has many variations. You know how to make a small fortune out of publishing short stories? Start with a large fortune.)
Today, who publishes short science fiction? As far as I can tell, there are five places it can be found:
1. The professional print magazines (Analog, Asimov's , F&SF, and a few others).
2. The semi-professional print magazines (such as Absolute Magnitude and Artemis).
3. Professionally published anthologies.
4. Webzines that pay a professional rate, such as Strange Horizons.
5. Webzines that by necessity don't pay a professional rate, such as Reflection's Edge.
(I'm not going to count webpages where people can post their stories for free, because I'm looking here at paying markets.)
Of these four, print magazines have existed for the longest. The main reason, of course, is historical. But they manage to exist today primarily for financial reasons; these magazines are businesses and make money for their owners. Consequently, they are also able to support a staff to put the magazine out.
The semipro magazines also support a staff, but usually a much smaller one, which sometimes leads to erratic publication. But they remain a money-making venture, or else they fade away.
Anthologies also make some amount of money for the people involved; otherwise they wouldn't be published. But for obvious reasons, they're not as regular as the magazines.
As for the webzines, I have yet to hear of a webzine that makes enough money to pay its editor and staff a living wage. (If anyone out there knows of one, please let me know; I'd love to be proven wrong on this.) But the fact is that even zines like Strange Horizons are labors of love, existing because the people running them want to see them out there and are willing to dip into their own pockets to pay writers a professional rate for stories.
The professional print magazines, on the other hand -- as long as they make some sort of profit, the owners will generally keep them around.
And this is the key point. Publishing short science fiction cannot remain a labor of love forever. People who are being paid a (we hope) decent salary to put together a magazine treat it as a job, because it is. They can't go to their readership and say that they had a bad month, and the next issue will be out as soon as they can manage it. Editors who did that would soon find themselves out of a job. (Maybe one day, the editors behind the webzines will be able to live off of their editing talent, and erratic publication schedules will be a thing of the past. But, sadly, I don't see this happening anytime soon.)
In the end, if you really enjoy reading short science fiction and want to see it continue, you ought to subscribe to the magazines that publish it: Analog, Asimov's, F&SF. If you find yourself visiting a webzine regularly, you ought to click the donations button at least once a year, and give them what you would pay for a year's worth of stories.
And this goes for aspiring writers as well as readers. Because if you harbor a hope of one day appearing in those pages, well, the only way those pages are going to exist is if people keep supporting them financially so they stick around.
no subject
Date: 2005-11-14 03:33 pm (UTC)The most obvious weakness here is that POD publishing might not be cheap enough to sell the books with enough markup to give authors any decent royalties. I haven't done any research on this.
The second most obvious weakness is that trolls could give their friends' stories high ratings, even if the stories sucked, and so the stories auto-selected for publication would suck. This, I think, could be ameliorated by the following measures:
no subject
Date: 2005-11-14 08:52 pm (UTC)no subject
Date: 2005-11-14 03:43 pm (UTC)no subject
Date: 2005-11-14 08:44 pm (UTC)A zine can certainly operate at a loss forever if the owner is willing. Remember Charles Foster Kane in Citizen Kane?
no subject
Date: 2005-11-14 03:53 pm (UTC)I agree. I figured Scifi.com would pull out sooner or later because it was only promotional material for them. Moreover, inadvertently, because of scifi and its high quality (high writer-pay) at no cost to the reader, a number of readers quit subscribing to print journals. I thought this a shame (not shameful, for who could blame them if finances were tight?). Let's hope Datlow gets a new job, and the print subscriptions go back up.
no subject
Date: 2005-11-14 08:46 pm (UTC)It would be nice to see Ellen Datlow put back in charge of a print magazine again. Maybe all the SCI FICTION readers would pay for subscriptions...
no subject
Date: 2005-11-14 11:57 pm (UTC)It would not cost SciFiC much more to add a few stories to their glossy SF mag. Subscriptions would almost certainly go up--maybe not much, but enough to compensate for the addition, I'm sure.
no subject
Date: 2005-11-15 02:03 am (UTC)The other question is, who would select the stories? I think Scott Edelman is the editor of their print magazine, and he's been a fiction editor in his own right (editing the late, lamented Science Fiction Age). I doubt that the Sci Fi Channel would hire Ellen Datlow to choose and edit the stories when Scott Edelman is already editing the magazine.
no subject
Date: 2005-11-15 03:22 am (UTC)Waiting for the new publishing model
Date: 2005-11-14 05:27 pm (UTC)Getting people to pay for television and radio when they can get it for free seemed crazy. Now approx. 90% of television households subscribe to pay television of some kind (about 85% cable and 15% DBS) and satellite radio continues to grow.
The question is: what is the value proposition, and what is the cost.
I do not subscribe to any magazines that publish SF or F short stories because I have little time to read and, in the avergae issue of Analog or similar zine, I usually find one story I sort of like. If that. Not a good value proposition.
An online service that made recommendations based on my known preferences might be a service I would pay for. And access to a website that consistently had high quality fiction might be another. But, like many users today, I am much to busy to accept a bundle of content I usually don't like to find the nugget I like.
The downside is I miss finding things I might like. But I am prepared to take that risk and rely on trusted sources (friends or critics) who have made recommendations in the past that I enjoy.
The internet presents a good way to get around publication bottlenecks, especially for short fiction. Some writers, like Cory Doctorow, are doing useful experiments in new distribution and marketing. We'll see what the future holds.
All of which is to say, I feel no reason to support the current business model when it doesn't suit my needs. Perhaps my optimism that a new model will emerge is unfounded, but I don't think so.
Re: Waiting for the new publishing model
Date: 2005-11-14 08:51 pm (UTC)The problem is that short fiction is becoming less and less supported, while at the same time, there is still a large number of people trying to get their short stories bought and published. Furthermore, when you say, "The downside is I miss finding things I might like. But I am prepared to take that risk and rely on trusted sources (friends or critics) who have made recommendations in the past that I enjoy," you also need to acknowledge the risk that the magazines will fold, and then there won't even be the opportunity to read stories recommended by friends.
It is entirely possible that we are moving in a direction where short fiction will disappear entirely from print magazines and appear solely on the Internet, with editors putting together zines as a labor of love. But I suspect if that happens, then the quality of the fiction will go down. After all, one of the reasons SCI FICTION was so acclaimed was that they published high quality stories -- and the main reason they were able to do so was because they paid more money than any other market.
Re: Waiting for the new publishing model
Date: 2006-02-07 09:40 pm (UTC)I think that the Long Tail philosophy might work for publishing too. Maybe the answer is for each writer to find a niche audience within speculative fiction and work with them for their whole career...
Cheers,
Jason
Telling SciFi you'd be willing to pay for the site
Date: 2005-11-14 08:45 pm (UTC)no subject
Date: 2005-11-15 03:12 pm (UTC)