So, as most of you are probably already aware, Apex Books will be publishing my short story collection I Remember the Future: The Award-Nominated Stories of Michael A. Burstein in September. The cover has already been put together; my new user icon is a miniature version of the cover, which I'll probably try to use for book-related posts.
Pretty soon, we're going to have an announcement about pre-ordering the book, including a special possibility for people who pre-order the autographed hardcover edition. In the meantime, though, I've been thinking about some of the mechanics of the book, and I thought I'd throw out my question to the world and see if anyone wanted to share their thoughts.
The book will consist of 15 stories, thirteen previously published ones and two new ones. Here's the list, in chronological order:
1. "TeleAbsence" (Analog, July 1995)
2. "Broken Symmetry" (Analog, February 1997)
3. "Cosmic Corkscrew" (Analog, June 1998)
4. "Absent Friends" (Analog, September 1998)
5. "Reality Check" (Analog, November 1999)
6. "Kaddish for the Last Survivor" (Analog, November 2000)
7. "Spaceships" (Analog, June 2001)
8. "Paying It Forward" (Analog, September 2003)
9. "Decisions" (Analog, January/February 2004)
10. "Time Ablaze" (Analog, June 2004)
11. "Seventy-Five Years" (Analog, January/February 2005)
12. "TelePresence" (Analog, July/August 2005)
13. "Sanctuary" (Analog, September 2005)
14. Empty Spaces (original to the book)
15. I Remember the Future (original to the book)
Now here's the question. How should I order the stories?
One school of thought suggests that I should set the Table of Contents to be chronological. That way, people reading the book from beginning to end could track my growth (or possible lack thereof) as a writer.
But another school of thought suggests grouping the stories more thematically. For example, "Empty Spaces" is the fourth story in the "Broken Symmetry" series, and it might make sense to place it directly after "Absent Friends" and "Reality Check" (and to move "Cosmic Corkscrew"). And how should I open and end the book? I could bookend the collection with "TeleAbsence" and "TelePresence," since they are a story and a sequel that represent my first ten years in Analog. Or I could open the book with "Kaddish for the Last Survivor" and close with "Paying It Forward," which seem to be my most popular stories.
At the moment, I'm leaning towards keeping the chronological order, especially since I'm writing an original Afterword for each story. But the thematic grouping calls to me as well.
Pretty soon, we're going to have an announcement about pre-ordering the book, including a special possibility for people who pre-order the autographed hardcover edition. In the meantime, though, I've been thinking about some of the mechanics of the book, and I thought I'd throw out my question to the world and see if anyone wanted to share their thoughts.
The book will consist of 15 stories, thirteen previously published ones and two new ones. Here's the list, in chronological order:
1. "TeleAbsence" (Analog, July 1995)
2. "Broken Symmetry" (Analog, February 1997)
3. "Cosmic Corkscrew" (Analog, June 1998)
4. "Absent Friends" (Analog, September 1998)
5. "Reality Check" (Analog, November 1999)
6. "Kaddish for the Last Survivor" (Analog, November 2000)
7. "Spaceships" (Analog, June 2001)
8. "Paying It Forward" (Analog, September 2003)
9. "Decisions" (Analog, January/February 2004)
10. "Time Ablaze" (Analog, June 2004)
11. "Seventy-Five Years" (Analog, January/February 2005)
12. "TelePresence" (Analog, July/August 2005)
13. "Sanctuary" (Analog, September 2005)
14. Empty Spaces (original to the book)
15. I Remember the Future (original to the book)
Now here's the question. How should I order the stories?
One school of thought suggests that I should set the Table of Contents to be chronological. That way, people reading the book from beginning to end could track my growth (or possible lack thereof) as a writer.
But another school of thought suggests grouping the stories more thematically. For example, "Empty Spaces" is the fourth story in the "Broken Symmetry" series, and it might make sense to place it directly after "Absent Friends" and "Reality Check" (and to move "Cosmic Corkscrew"). And how should I open and end the book? I could bookend the collection with "TeleAbsence" and "TelePresence," since they are a story and a sequel that represent my first ten years in Analog. Or I could open the book with "Kaddish for the Last Survivor" and close with "Paying It Forward," which seem to be my most popular stories.
At the moment, I'm leaning towards keeping the chronological order, especially since I'm writing an original Afterword for each story. But the thematic grouping calls to me as well.
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Date: 2008-03-13 01:37 pm (UTC)no subject
Date: 2008-03-13 01:53 pm (UTC)no subject
Date: 2008-03-13 03:55 pm (UTC)no subject
Date: 2008-03-13 02:18 pm (UTC)no subject
Date: 2008-03-13 02:44 pm (UTC)Will you be including author's intros to each story?
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Date: 2008-03-13 03:25 pm (UTC)no subject
Date: 2008-03-13 03:11 pm (UTC)This is all so exciting!
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Date: 2008-03-13 03:28 pm (UTC)no subject
Date: 2008-03-13 03:46 pm (UTC)no subject
Date: 2008-03-13 05:09 pm (UTC)Note that you can have continuity between linked stories without actually dividing the book into thematic sections. (Look at what the Talmud does... :-)
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Date: 2008-03-13 04:08 pm (UTC)I did one collection thematically, even naming the themes in the table of contents, and the other I was more concerned about pacing and style. I didn't want two similarly styled stories back to back. We moved one story because the opening line mirrored too closely the opening line of the story before it. We didn't want two first person narratives back to back. We didn't want two depressing stories back to back. So, we went for the story we thought was the most instantly grabbing as the lead off and a story that seemed to say "the end" as the conclusion.
But whoever posted above about picking from a hat might give you just as good of an order. Good luck with the book.
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Date: 2008-03-13 05:22 pm (UTC)Actually, I've had at least one review of my collection (which is ordered chronologically) state that they could watch my skills improve over the course of the book.
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Date: 2008-03-13 05:29 pm (UTC)no subject
Date: 2008-03-13 05:34 pm (UTC)no subject
Date: 2008-03-13 07:21 pm (UTC)Surely a writer grows as he continues to write, but sometimes that growth looks like a step back from the outside.
I think your idea of grouping stories that take place in the same worlds or have those kinds of textual links is a good one.
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Date: 2008-03-13 05:21 pm (UTC)That's what I did myself, but I didn't have thematic groups that I could use since none of my stories take place in the same universe. So I'm of no use to you ;)
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Date: 2008-03-13 05:28 pm (UTC)I was thinking more along the lines that four of the stories are all part of the same series, and two more stories are set in the same world (with one of the same characters in both stories). So that's already six stories whose groupings are predetermined out of a book of 15 stories.
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Date: 2008-03-13 06:09 pm (UTC)Just my two cents!
--Me
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Date: 2008-03-13 08:12 pm (UTC)1. Best Story First
2. Second Best Story Last
3. Rest in chronological or logical order (pub date or internal story date or group like stories)
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Date: 2008-03-14 11:33 am (UTC)no subject
Date: 2008-03-14 02:20 am (UTC)I will now say something that might be contradictory (don't know; haven't read all the published stories yet). When I put together an album (granted, I'm no expert, but I have done it a few times), I start strong and make sure the first three songs are different from each other somehow. (For example: funny singable song, then something serious with nice harmonies, then something instrumental.) My goal in doing this is to draw people in with variety. It's possible that I should group things more, but if a dealer is playing the CD, I don't want people to think we only have one trick. Does this sort of consideration apply to written media? I'm not sure. If you can, I think I would start with your strongest stand-alone story, then go to another stand-alone, and then start your first thematic group. Save a strong stand-alone for the end.
It's possible that all of this matters much, much less if you expect most of your sales to be over the net. I'm postulating a customer picking up the book and looking at it before deciding to buy. I don't know if that's relevant or "quaint".
By the way, will I be able to get an autographed paperback? It's not that I'm cheap; it's that hardbacks are heavier and since I have to hold the book up to my face to read, I much prefer paper. A nice trade PB is fine (IIRC you mentioned that possibility).
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Date: 2008-03-14 11:31 am (UTC)no subject
Date: 2008-03-14 05:31 am (UTC)no subject
Date: 2008-03-14 11:34 am (UTC)no subject
Date: 2008-03-14 03:09 pm (UTC)