Another week, another bunch of posts to Facebook. (I wish LJ were as active as it once was.) So what was my week like?

On Sunday, I congratulated the winners of this year's Hugo Awards.

On Monday, I posted a picture of me with Harold Feld (also known as [livejournal.com profile] osewalrus.)

I also continued playing the game Nomi and I play of finding band names.

On Tuesday, I expressed my shock at the cost of the new Dungeons & Dragons Player's Handbook.

And I noted a conversation between me and Squeaker, which is either cute or morbid, depending on your mood.

On Thursday, I expressed my disappointment in the movie "The Hobbit: The Desolation of Smaug." And I also noted that my daughters are fans of both My Little Pony and Doctor Who.

And finally, I backed the Kickstarter for Chronosphere.

What did you do this week?
Apropos of nothing...

When my brothers Joshua, Jonathan, and I were younger and we had a Commodore 64 computer, we used to play a dungeon-adventure game called Telengard. In the game, you moved an adventurer through a dungeon looking to kill monsters and acquire treasure.

One of the things you might find on your travels was a jewel-encrusted throne, and the text that popped up with the graphics on the screen read something as follows:

"You see a jewel-encrusted throne. Do you want to (s)it down, (r)ead some runes or (p)ry some jewels, or (i)gnore it?"

The thing is, when you encountered one of these thrones, the most recognizable musical theme from In The Hall of the Mountain King from Peer Gynt would play. It so happened that the question on the screen scanned to the music, so the three of us would sing the song to the music each and every time before deciding what to do. And it got to the point where we would sing it away from the game so often that I even can do it today.

It turned out that [livejournal.com profile] gnomi played Telengard on an Apple IIe as she was growing up, and she used to sing the words to the music as well.

It never occurred to me to wonder, but now I do: did the person or people who programmed the game know that that music scanned? Is that why they chose it? To this day, do they know how much they ear-wormed those of us who played Telengard?

Or was it just an odd coincidence?
It's being reported all over the place that E. Gary Gygax, the co-creator of Dugeons & Dragons, died this morning at the age of 69.

Like many others, I found D&D to be a wonderful creative outlet. I started playing the game at a very young age, because I was fortunate enough to have an older brother who brought it home with him from high school. I remember playing the game with the original boxed set, before the advent of Advanced Dungeons & Dragons with the Player's Handbook and the Monster Manual. We had to use copies of Dragon magazine to supplement the rules.

I remember many afternoons of going to the Compleat Strategist on 33rd Street to buy gaming equipment – books, character sheets, and dice.

I remember the day the Dungeon Master's Guide came out, and how excited I was to finally hold a copy in my hands.

I fondly remember the two characters I played the most: Pureheart the Powerful, a Lawful Good paladin whose name I shamelessly stole from the Archie Comics superhero; and Mr. X, a thief whose origins were a mystery, even to himself.

I remember hours of bonding with others, regardless of age, over a gaming session. I remember how D&D led to me to discover Champions, and Boot Hill, and Top Secret, and Traveller. (My very first attempt at a professional submission was a new alien to the Journal of the Traveller's Aid Society.)

All of us dreamers should be grateful for Gary Gygax. He invented a way for us to harness the imagination, and to do it together.

December 2016

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